Website Wonderland

Posted on by Christina Hamlett

 

July 2016 monitor with truckDuring the 1980’s, I was always asked if I had a business card so that prospective clients could call me. In the 1990’s, the question became, “What’s your email address so I can write to you?” By 2000, both of these queries were replaced with, “Do you have a website?”

There’s no question that websites have evolved into a highly popular tool for showcasing products and services, providing customers with 24/7 access and attracting media pros seeking interesting stories to put in front of their readers and viewers. That websites are so commonly in vogue today prompted an associate of mine to recently remark that whenever she hears a business doesn’t have an online presence, she can’t help but wonder if (1) if it’s really a legitimate entity or (2) it’s just too lazy to embrace the technology.

Obviously neither assessment is a fair one to make if you don’t know anything about the company or its reputation. In the first place, the existence of a website isn’t an ironclad guarantee of authenticity, nor is there a correlation of authenticity based on how slick/polished/glam the screen looks or how many moving parts there are to seduce your senses. Many an aspiring model or screenwriter, for instance, has been taken in by bogus agencies and production companies that use eye-popping graphics, persuasive language and effusive testimonials that sometimes have no basis in truth. Secondly, the absence of a website could be either a planned decision on the part of management to focus on traditional advertising or a reflection of temporary confusion on how to build a website from scratch.

If you want to avoid the expense of hiring someone to build it for you (and if you don’t count yourself among the computer-savvy), the good news is that there are plenty of software programs, books and online resources to painlessly walk you through the process. The bad news, though, is that an amateur-looking website won’t do you or your company any favors; in fact, it could be worse than not having a website at all.

Once you have it up and running, the challenge is then to keep it interesting enough that visitors will keep returning to see what’s new. To accomplish that, you need to think of your website in terms of a car dealership. Let’s say, for example, that you drive past the same lot twice a day on your commute to work. If you always see exactly the same line-up of cars out front, there will quickly come a point that you no longer bother to even glance in their direction. Since the owner of the dealership can’t afford passersby to be indifferent to the inventory, s/he routinely rotates the vehicles. “Wow!” you exclaim one day. “Was that orange truck always there? I wonder why it never caught my eye before…”

The reality is that the orange truck was always there but just parked in a different place. Once you notice the orange truck, you’re going to start paying attention again and wondering what other kinds of vehicles are available for sale.

The same principle applies to websites. Even if you’re simply reshuffling the contents and changing the color scheme, you’re laying the groundwork to drive repeat visitors to your door.

Excerpted from MEDIA MAGNETISM: HOW TO ATTRACT THE FAVORABLE PUBLICITY YOU WANT AND DESERVE (Available on Amazon in paperback and Kindle)

Making More Spaghetti Stick To The Wall

Posted on by Christina Hamlett

Spaghetti

“Hi there! How’s it going? I just discovered your website and I have to say it’s really great. The content really shows that you’re the best in the industry. I’m sure you receive hundreds of emails like this but mine is the one to pay attention to because with the introductory SEO package I can offer you and your awesome sales team, you’ll be driving even more customers to your store and excellent products!”

Any guesses how long it took me to hit the “delete” key on this ground-floor opportunity?

For starters, I wasn’t personally addressed by name, nor was the name of the website referenced. Flattering to know the sender thinks I’m the best in the industry…and yet doesn’t identify what my particular industry is. And while it’s true indeed that I receive hundreds of emails making the same glowy promises of global exposure, where exactly is this store stuffed to the gills with trendy merchandise supposed to be? For that matter, who’s on my awesome sales team? I should take them to lunch.

Like many a salesperson on the hustle, it’s the old “Let’s just throw a big plate of spaghetti against the wall and see how much of it sticks.” While now and again an accidental noodle and some sauce might get someone’s attention, it’s more often than not an enormous waste of pasta (and probably broken plates). To make matters worse, they never even think of varying the recipe before they’re skipping off to the next wall, thus perpetuating a messy cycle of trial and error.

Let’s apply this for a moment to writers. A colleague of mine was recently lamenting her history of copious rejection letters. Her style, I learned, was the scattergun approach of ignoring submission rules and simply sending out the same manuscript to every magazine she could think of. While an impersonal “Dear Sir or Madam” photocopied letter should never be cause for tears, I asked what she did about the ones where an editor actually took the time to offer some constructive advice. “Oh, I just need to find the right editor,” she dismissively replied. In other words, “I like my spaghetti recipe exactly the way it is and I refuse to change it for anyone.”

In the arena of sales, how much do you really know about your customers’ interests, needs and wants? Do you really expect them to take seriously any mass-produced “Hi there! I’ve been thinking about you” letter that was stuffed without any thought into an envelope or distributed with even less thought via an electronic mailing list? Do you ever consider when you throw your spaghetti that some of your customers might be vegetarian? Or gluten-intolerant? Or on a tight budget and unable to afford artisanal marinara? Are you averse to switching up or swapping out ingredients just because “this is the way we’ve always done it”?

Takeaway lesson: Whatever you think you’re saving by doing generic, one-size-fits-all advertising may actually be costing you much more than you realize in terms of building customer trust and a belief that you sincerely care about what they’re really hungry for.

*****

Here’s my line-up of stellar guest bloggers this month:

Giving Back Made Easy – by Lee Romano Sequeira

How Your Name Is Your Most Important Brand – by Rainier Fuclan

Challenging The Disconnect Between What Science Shows And Business Does – by Linda Ray

5 Ways to Simplify Scheduling During a Busy Season – by Brett Duncan

Building a Culture of Health at Start-Up – by Jill Gambaro

 

Help Wanted

Posted on by Christina Hamlett

Blog Image

Back in the days when I worked in state government, I always viewed summer with a mixed sense of anticipation and dread. Summer was the season of interns, the season when the floodgates would open and spill forth dozens of cattle-call applicants in their late teens and early twenties. Although these positions were unpaid, it was management’s vision of a win/win scenario: the interns would get work experience to put on their resumes and the rest of us would get a cadre of malleable minions to do the filing, open mail, stock supplies, and run errands.

While now and again we’d delight in finding a true gem who had the skill sets, initiative, and leadership qualities that could one day translate to a full-time job with us, the majority of them were clearly not the sharpest knives in the drawer. Among them:

  • The one who threw out any mail that personally didn’t look interesting to her. (She asked me why we never got fashion magazines or People.)
  • The one who filed all the travel claims under “S” for “someone who took a trip.”
  • The one who took over an hour to deliver a file to an office located on the same floor. (If we had traced his footprints, they would have looked like Billy’s from a Family Circus)

As the saying goes, good help is hard to find. Bad help (which is worse than no help at all) can take years off your life, cause costly mistakes and jeopardize your reputation. While government agencies and nonprofits have no problem doing shout-outs for extra pairs of hands, a lot of sole proprietors I’ve known over the years are not as willing to admit they’re getting overwhelmed. A part of it, I think, is that they want to maintain the image they’re completely in control (albeit exhausted to the point of collapse). They’re also cognizant of the reality that in the length of time it takes to train a helper how to do something – or correct how the helper did it totally wrong – they could easily have just done it themselves.

Whether you’re looking to go the intern route for short-term projects or planning to one day expand your small business and put out the call for prospective employees, it’s critical to have a clear sense of what you want, how much supervision you want/need to provide, and what the participants can potentially gain from the experience of working with you. The more “ownership” they feel they have in the process and the outcome, the more pride they’ll take in paying attention and doing their assignments well.

These same elements apply to situations where you’re subcontracting with local vendors to provide services (i.e., catering) or outsourcing product-oriented tasks (i.e., assembling goods) to an off-site team an ocean away and with whom you have no physical interaction or quality control mechanism. While you may have the highest trust that everyone is doing what they’re supposed to, the bride whose flowers aren’t delivered on time or the client who receives 500 logo key chains with the company name misspelled isn’t going to mad at your helpers; they’re going to be mad at you for allowing that mistake to happen in the first place.

*****

Here’s the lineup of my guest contributors this month:

Take the Sting Out of Stress When Moving Offices – by Zachary Rook

And, Or, But – How to Handle Objections – by Julie Garland McLellan

How To Design a Marketable Signature System – by Ling Wong

Using Lists to Draw Web Traffic and Media Attention – by Mickie Kennedy

One Size Does Not Fit All

Posted on by Christina Hamlett

 

One Size

In my line of work, I often hear from authors who have written a novel, memoir or theatrical production and want my advice on how to adapt it to a different medium, typically a screenplay. The rationale behind this isn’t just that movies represent the gold standard of fame and fortune; it’s the perception that if an idea is really spiffy, it should be able to shine in multiple venues.

Hollywood, of course, is replete with examples of why this isn’t true. How many times, for instance, have TV shows that were popular in their heyday been expensively repackaged for the silver screen, only to flop miserably? Likewise, how many adaptations of your favorite books have turned out to be a disappointment because the director’s vision wasn’t the same plot that played in your head while you were reading? And who among us doesn’t have a friend or family member who pens hilarious emails but would be a total deer in the headlights if s/he were encouraged to pursue a career in stand-up comedy?

How can these variations fail, people wonder, when the source material had so much going for it?

Individuals and organizations tend to view media outlets in a similar, one-size fits-all context. Because these entities are all in the business of promoting products, services and events, it’s not uncommon to assume that their procedures, timeframes, expectations and rules of etiquette are interchangeable. The small business owner who is accustomed to submitting newsy notes to a weekly newspaper on Monday morning for publication in that Thursday’s edition is, thus, thrown for a loop to discover that magazines and trade journals have lead-times of several months. The bloggers whose comfort zone has always been a casual chat with virtual fans may be daunted by the inherent structure of doing a live show, despite their familiarity with the topic. Even something as commonplace as email – a ritual that most of us take for granted – is foreign turf to those who have never learned how to type nor mastered the skills to type particularly well.

The fact that today’s media opportunities can arrive in any size, shape or format makes it incumbent upon you to stop clinging to yesterday’s outdated practices. When the chance to tell the world who you are comes knocking on your door, your ability to respond with confidence, flexibility and professionalism will dictate how smoothly the experience flows and whether you’ll be contacted again in the future.

Suffice it to say, the latter scenario is often based on the spin-off value of what you represent as an entertaining, informative and reliable commodity. It’s not so much how many names and phone numbers of media personnel you have in your office Rolodex but how many of them have your contact information on file. On many occasions, for instance, I get calls from newsletter and magazine editors who suddenly have a spot to fill as the result of another writer missing a deadline or delivering a story that just doesn’t click. Having already demonstrated my ability to write material that resonates with their readership, I’m among the first people they think of to come to the rescue or to liven up a slow news day.

That same strategy is essential in fostering mutual trust with your own media contacts. Be the person they know they can rely on to consistently give them what they want, including fresh ideas for what they may not even have thought they want yet. In the words of Mickey Spillane, “The first page sells your book. The last page sells your next book.”

Never give them a reason to stop reading…and anticipating.

*****

Here’s the line-up of this month’s guest bloggers:

Why Old-Fashioned Media Still Rocks – by Dr. Neryl East

Event Safety and Risk Assessment – by Mike James

Calming the Crisis, or Fueling One? – by Philip Owens

Releasing Your Project at the Perfect Time – by Alijah Villian

Un-Googling the Art of Online Ads – by Ben Bradshaw

Springing Into Media Readiness

Posted on by Christina Hamlett

leap

Ah – Spring! That time of year when we roll up our sleeves, take stock of our accumulated clutter, and commit to the task of getting better organized. Obviously this would be a less daunting exercise if we simply kept our house in order all the time and ready to entertain guests at a moment’s notice.

Could your in-house PR plan pass the same test of readiness?

Whether you’re an author, entrepreneur or nonprofit, getting – and staying – prepared for a call from the media is job #1.

This blog comes on the heels of a perplexing – and poorly conceived – response to an offer I’d recently made to a small business owner who also happened to be a personal friend. In these tough economic times, I knew that she and her staff were struggling to stay afloat and, further, she couldn’t afford the expertise of a PR firm to help with shout-outs about the products and services she provided. “Tell you what,” I said, “if you can provide me with the answers to a few interview questions along with a great photograph to accompany the article, I can get the story out there within two weeks.”

She was appreciative and effusive in her enthusiasm and promised that she’d put all of her energy into the questionnaire on her upcoming days off. Time passed. When I followed up to see what was accounting for the delay, she replied, “You know, I’m way too tired on my days off to spend them doing any work but maybe I can throw something together for you by the end of next month.”

Throw something together?

In my mind, this prompts three disturbing questions. The first is whether she felt it wasn’t necessary to treat the offer that seriously because it was coming from someone she knew, someone who could say, “Oh, there, there. Really, it’s all right. Take your time. And when you get back to me, I’ll just drop everything else I’m doing.” Secondly, was there some naiveté in play which led her to think that media opportunities come along like busses every ten minutes? If so, why are they not regularly making stops outside her front door? Thirdly – and perhaps the most alarming – how can anyone who has run their own business for more than 24 hours not have a press kit available in case someone requests it? There should be no mad scramble to assemble clips, get testimonials, compose snappy quotes, or grab a digital camera.

Sadly, though, this slapdash mindset isn’t uncommon, particularly with small business owners who either never expect to garner media attention or fail to understand that press deadlines aren’t fluid.

For future reference, they’d be wise to take a page from HR specialists who recommend keeping your resume up-to-date. Even if you’re happy as a clam in your current job and have no plans to leave, a dream opportunity with a short window could suddenly present itself. Such was my own experience many years ago when I ran into a friend I hadn’t seen for a while. She was lunching with a colleague who let it drop she had a position to fill and was dreading the upcoming process of advertising it, then interviewing candidates. By the time she returned to her office, there was a fax waiting for her: my resume. Not only did I get the job but I also met my first husband, started an acting company, and was able to return to college.

If being prepared can produce that magnitude of life-changing fortune, imagine what could happen to your business if you’re prepared when media opportunities knock?

Here’s the lineup of this month’s blogs by my guest contributors:

Spring Cleaning Your Email Inbox – by Erika Taylor Montgomery

Adapting Entertainment Publicity Techniques to Your Situation – by Steve Thompson

7 Reasons Why Businesses Hold Their Event in Las Vegas – by Melissa Page

Brand-Building Basics – by R. Travis Shortt

Using a P.R. Strategy to Gain Great Inbound Links – by Thomas Farley